Iceland

We leave Reykjavik under a heavy sky that is just beginning to lighten. It is 10am. Starman pilots the car through endless roundabouts as we make our way north out of the city. After 40 minutes the low buildings of Reykjavik drop away and we are deposited into rolling countryside, hemmed in one one side by an expansive ocean while the other rises quickly to mountains ground flat by immense glacial rivers.

This land feels desolate and removed from modern time. Only the occasional gas station with its neon lights creates a tenuous link the present. Though Iceland has only been inhabited for 1,000 years, the remote hamlets and farms feel ancient beyond scale. The world is pale grey sky, black rock and umber grass.

I dream about living here, alone and distant. In this fantasy I occupy a small cabin, just a single room with a loft for sleeping. Warm wooden walls and a fireplace to heat. In the summer I would walk in any direction I chose, climbing mountains, following streams and drinking from their cold waters. I would grow a garden under the endless sunlight and in the evenings, sit on the porch and watch the sun dip lazily across the southern sky. Feeling the Earth turn as the seasons march forward.

In the winter I would draw myself close against the dark and biting cold. During the short days I would ski slowly and without intent across the land, returning home in the evenings to melt snow for water and watch the wind blow patterns in the snow. I would marvel at the changing face of the land, both familiar and born anew each season. I would read and write and burrow into my solitude like a warm bed. Contented and held by the land, by the desolation of this small, imaginary cabin.

And in the spring I would re-emerge into the sun and into a life with people. Having been healed by time and space and loneliness.

I have been in Iceland for less than 24 hours and already this land calls. Speaking a language I didn’t remember knowing. Something in my bones aches to be ground down by the wild remoteness of this land, I wish to be unknown as I come to know this place. Perhaps, I think to myself, it would be possible to live here one day.

On our second day in Iceland we drive to the black sand beaches of Vik and I pretend that I am standing at the end of the world. The Atlantic stretches like gunmetal to the horizon. A brutal, cold sort of beast whose mere proximity stirs something desperate in my mammalian chest. Danger and awe. I am fragile and impotent standing next to such a force. I relish its power to destroy me and I am smothered in the presence of vastness, of enduring authority, of power without scale. Water not for play, but as a vast mote around a small island.

The water takes many forms in Iceland but none is as captivating as the waterfalls. Foss, as they are called in Icelandic. Gullfoss, Iceland’s most iconic and popular waterfall drops like curtains into a gaping maw of a canyon. And we stand on its rim and oggle like children at the size, the urgency with which the water flings itself forward and down through slot and sluice. The roaring of the falls is seconded only by the wind. That perennial Icelandic wind, pushing at our backs as we run to the car. Feet slipping in the mud and snow Starman and I laugh until we are gasping. Past the accusing eyes of tourbus pedestrians we fly. Each step a leap of faith that we will come back down to the ground. Any moment we could be carried away by the wind and set free.

Like any first attempt at love it is over too fast. Eyes widened and cheeks wind-burnt I find myself at Keflavík Airport. It is time to go home.

The flight path to Seattle travels north over the arctic and from the window I can see the mass of hulking white below me. The vast, craggy expanse of the arctic is enchanting in the dregs of daylight. I cannot help but stare and wonder. Wonder what it would be like to walk day and night across the ice until northbound travel becomes south. And I become nothing more than a laugh on the wind, alone in these northern places that call to me.

For more photos find me on Instagram @karaontheoutside

Sissy

A thick mist presses tight against the tent walls and I am cocooned from the world by white and nylon and down. It’s too early to hike so I’m reading, my phone screen glowing cheery and bright as I scroll through page after page of Jacob Tobia’s Sissy. The book, which details Tobia’s gender-bending childhood and discovery of their trans and non-binary identity strikes so close to home it feels like someone is jamming their finger through my heart.

As I read, big, sloppy alligator tears roll from my eyes and puddle against my ultralight backpacking pillow. Tobia’s coming of gender story elicits the particular kind of pain that comes from struggling to find one’s self. I can do nothing but cry. Cry and wish I was born just a few years later when more people knew the word non-binary. Cry and wish I was a little more knowledgeable about the queer world. Cry and wish that anyone in my sphere knew what being trans and non-binary was when I was a child so I wouldn’t be stuck working this all out in my 30’s. 

But you can’t rework your past to better suit your present.

I grew up a child of the largely homophobic early 90’s where gay culture was just beginning to crack into the mainstream discussion and trans was still a foreign concept to most Americans. Genderqueer was even further afield and non-binary was a word that didn’t even exist yet. And I was a child who liked to dress in boys clothes.

As a child I was a hyperactive, sprinting, adventurous mess who was largely allowed to ditch the femininity ascribed to those of my sex. I credit my parents for introducing me to the idea that gender norms are bullshit. My mother never wore makeup and dressed in jeans and a t-shirt to her job as an engineer. My father worked from home, taught me to cook, encouraged his my sister and I to play sports and that it was okay for girls to want to win. I continue to reap the benefits of having parents who focused on ability over appearance. Brains over beauty.

Still, life is change and childhood is temporary. To me, puberty was a betrayal. Seemingly overnight my genderless adolescent body with it’s straight lines became a mockery of itself. I was repulsed by my widening hips, growing breasts. Suddenly I needed to shop in the girls section. Clothes that were cut to accommodate this new body seemed clownish and bizarre; worse was that my female friends seemed to want to wear these clothes. Short , capped sleeves, tight pants, pink and purple glitter scrawling out sassy phrases across their chests or worse, asses. They sailed off to the land of femininity while I remained trapped on the gender confused island of misfit toys. Clever as I had been raised to be, I could understand how one would assemble the pieces of an appropriately girly wardrobe. What was lost on me was why; why did they want to dress like that? Why did I not?

The years between high school and my first foray into the professional, office-bound world hammered home the idea of why. Because there is social capital, security, and affluence in dressing like the gender everyone assumes you are. And though I was still uncomfortable, still took every opportunity I could to conceal my chest with scarves, I began to develop a look that was feminine enough. Though I hated shopping for clothes I didn’t like. Though getting dressed every single day was a frustrating ordeal. Though I still didn’t understand the rules of this game I was playing, I tried my best to figure it out. To use my brain if not my desire to play the part of woman. And in doing so I even began to believe the specific kind of bodily oppression that women are held to. I dieted: carb counting, paleo, vegan, vegetarian, intermittent fasting, and good ol’ calorie counting. Maybe if I was thin enough I would feel at home in this obviously feminine body. When that failed I tried makeup, styling my hair, plucking my eyebrows, artificially contouring my face. But these efforts were nothing more than secondary acts in the farce that was my life. And all the while I never thought there was another option.

As I progressed through my 20’s I held on to my masculinity through sports and, most importantly, the outdoors. I would rarely think about my chest while bombing down a ski run. Rock climbing, with it’s intense focus and unforgiving standard of safety, meant my gender was shoved to the deepest recesses of my mind. But my true love became solo backpacking; the more remote the better. Away, truly away from other people I was free of expectation, gaze, performance.

Being in the backcountry felt like a return to childhood. In the sort of travel turned adventure, yes. But far more importantly in the way that I could simply be. In Tobia’s book they talk about feigning late-night study sessions so that they could choreograph secret dance routines in their high heels—hiding their feminity away from the world, knowing it wouldn’t be accepted. The outdoors became my midnight dance party, I craved the moments when no one was looking at me. I still do. In a body that has never quite felt like mine, backpacking afforded me the means to move at my own pace, go where I wanted to go. I could simply exist.

Until recently I never thought to tie those feelings of bodily and gender discomfort to anything larger. Certainly not things as substantial as being non-binary or transgender. Plus, I rationed, if I were non-binary, or trans, I would know. Right? Certainly by this age. Right?

And here we come to the lie that cisgender people tell themselves about the transgender experience: that it looks one way. That being trans means you know at a young age that you were born in the wrong body, that you’re meant to be a different gender, and that you’ll go through specific physical transitions to achieve your desired body. 

Bullshit. 

Bullshit bullshit bullshit. 

That narrative, while valid and real, it is also held up as the one and only trans coming out narrative. Because if that’s the only way to be trans then all cis people are safe from questioning their gender. If that is the only way to be trans, then people who fall in the middle, people like me, aren’t real. It’s a narrative that ties physical transition to being trans. It’s a narrative that fails to recognize that being trans is at its very core a simple criteria: being trans means you don’t identify with the gender assigned to you at birth. Non-binary is no more complex than not being a man or a woman.

I hope that paragraph helped someone realize they’re trans. Just as the incredible work of Molly Woodstock did for me. Because sometimes it takes someone holding up a mirror to themselves or their community to help you see yourself. And when you do, it can change everything and nothing. But at least for me the realization that I’m non-binary shook my understanding of myself while simultaneously putting a lifetime of experience into clarity. Everything changed and nothing changed.

Which brings us back to the mountains. To the places where I can bound along like a cut marionette, beholden to no strings but my own. Invisible and protected because of it. Free from constant misgendering, the curious looks or blank stares that are commonplace when you inhabit the hinterland between man and woman, free from the forced self-advocacy that is required by every trans and non-binary person. The mountains don’t ask that from me. Out here I can still be invisible. From others, yes. But also from myself, from mirrors. From that now familiar twinge of disappointment when an unfamiliar face and body look back at me from the mirror. Something that happens less these days but in the mountains it never happens at all.

Out in the wild I never have to explain or ask or justify. I don’t have to listen to people get my pronouns wrong. In the way that these wild spaces belong to all of us and none of us I can be both all of me and none of me.